- Bengal Famine: A Forgotten Genocide, A Ruthless Empire And An Overrated Prime Minister (content warning: images of starving people) I got this link from Suleikha Snyder on Twitter; she went on to make this point:
One thing occurs to me: Western tragedy always inspires solidarity. Third-world tragedy inspires pity. Something more removed, superior.
— Suleikha Snyder (@suleikhasnyder) August 20, 2015
- Inside Amazon: Wrestling Big Ideas in a Bruising Workplace
- Why the New York Times’s Amazon story is so controversial, explained
- Stephen Colbert on Making The Late Show His Own Just read to the end.
- For Such A Travesty I think this is a pretty good romance-community centered roundup of reactions to That Book with the Nazi Hero. It’s been extremely upsetting to me to see people outside the romance community to use this as an example to laugh at romance without recognizing that this is an endemic problem and, frankly, the end result of excusing all sorts of problematic content because to acknowledge that it’s problematic would be shaming of readers. Hi, I like lots of problematic things. Acknowledging that they aren’t perfect usually doesn’t diminish my enjoyment.
- Visual Backstory: A Checklist for Science Fiction Artists
- Ad Blockers and the Nuisance at the Heart of the Modern Web
- Welcome to the Bee Hotel
- Almost No One Sided with #GamerGate: A Research Paper on the Internet’s Reaction to Last Year’s Mob
- How Black Reporters Report On Black Death
- How The Hugo Awards Saboteurs Actually Disproved Their Own Best Argument “Beale’s own statements about the Hugo mess have been largely incoherent…” HA.
- Life: An Unspooling
- Why Aren’t There More Women Futurists?
- The 10 Most Unwatchable Films Featured on MST3K
- The People’s Card Game Euchre! I love euchre! I also haven’t playing in 20 years. This would be fun to do at cons.
- Misunderstanding Forgiveness
- Just don’t do it
- Amal El-Mohtar on gender and bad reviews
- Tangent Online Special: Androgyny Destroys SF Review of Lightspeed If I rolled my eyes any harder they might get stuck. You’re adorable, Dave Truesdale.
- Defining the Gothic
- Here Are the Most Damning Portions From the Big Darren Wilson New Yorker Profile
- FINE-LINER Pen SHOOTOUT – A comparison of Fine-liner Pens on the market I love this sort of thing. Of course, I also love fine-liners. Am obsessed with trying new ones out.
- Talk to yourself about yourself, your work, your talent, your virtues, whatever you like but do it without apology and do it out loud.
- The Hidden Violence in Non-Violent, New-Age Communication.
- Don’t mansplain things to me
- Why Straight Men Have Sex With Each Other
- Comfortable misogyny
- How Dare They Do This Again: Stonewall Veteran Miss Major on the “Stonewall” Movie
- In a Pivot-Happy World, We Need to Let Twitter Be Twitter
- Where Do We Go From Here?
- Meet The First-Ever Ned Flanders Themed Metal Band, Okilly Dokilly
- We Still Let Harassers Participate In Our Community
- Take Responsibility For Handling Abuse Gosh, what could this site be about?
The Executive Committee of Sasquan, the 73rd World Science Fiction Convention, would like to address the matter of actions taken by Mr. Lou Antonelli with regards to one of our Guests of Honor, Mr. David Gerrold.
The statement continues on from there–the Executive Committee decided to turn the matter over to the Operations Head, Robbie Bourget, who did determine that Lou Antonelli did, in fact, violate Sasquan’s Code of Conduct. This conclusion was “inescapable”, according to the official statement.
And yet. Lou Antonelli has not been banned from Sasquan, even though that was the original decision of Operations.
Why not? Because Lou Antonelli apologized to David Gerrold and the apology was accepted and because Gerrold asked Sasquan not to ban him.
…and this is where I kind of lose it because Sasquan has publicly stated that Lou Antonelli violated their Code of Conduct to the point where they believed a ban was in order but they’re letting him come anyhow on a single member’s say-so. Gerrold may be a Guest of Honor, but that doesn’t give him the right to have this sort of power; Sasquan can take his request under advisement, but they are responsible to the entire convention membership and that should be their primary concern. (Laura Resnick lays this out a lot better than I can in the comments at File 770.)
One of Gerrold’s quoted reasons is that Antonelli “deserves” to be able to attend the Hugo Awards because he’s a nominee.
The message I’m getting from Sasquan is that if you apologize enough, if you can convince the person you’ve harassed into accepting your apology, and if you’ve been nominated for an award, Codes of Conduct don’t apply to you. Especially if you’ve promised to be on your very best behavior and not do it again. Because it’s not like you don’t have a track record of wildly overreacting to perceived slights and then behaving abusively.
We’ve all heard some variation of this over the last few years as more and more people have spoken up about the harassment and abuse they’ve endured at science fiction conventions. Someone with an inflated sense of his own importance deliberately steps over the line, is called to account, and then they manage to not face consequences for their actions. At least not initially. In the cases of Readercon and Wiscon, there were eventually consequences for René Walling and Jim Frenkel. But it took a lot of work–mostly work by women and non-binary people–to make those consequences happen.
Sasquan, instead of making their convention safe for every member has, instead, made it safer for just one: Lou Antonelli.
One of the things I do is match patterns. I’ve noticed a troubling pattern when it comes to the Sad Puppies and I think it’s worth exploring in more detail.
I apologize for the messiness of the timeline, I’ve tried to be as concise as possible.
Lou Antonelli revealed during a podcast that he has sent a letter to the Spokane police regarding what he believed to be the dangerous and unhinged nature of David Gerrold’s discourse around the Hugo Awards. Jim C. Hines posted to Facebook about it about a week after the podcast went live (I think that’s where this got started, I may be wrong).
This isn’t the first time Antonelli has tried to intimidate someone over the Hugos. He threatened Aaron Pound via email because Pound called him an asshole on Twitter (note: Pound is a friend of mine and I saw the email in question shortly after it was received). Antonelli took the time to look up Pound’s work email address–which is not connected to any social media–and threaten him. He also called Pound’s workplace to confirm his employment.
Fast forward to this past weekend. People start calling Antonelli out for the fact that he’d contacted the police, as well they should. That’s unacceptable behavior. This moved him to apologize to David Gerrold.
Good for him! He apologized as a comment on Hines’s post. Got lots of praise for it! No apology on his public Facebook and I don’t believe he made a public apology directly to David Gerrold. Nonetheless, Gerrold accepted this apology. But Gerrold also took some of the blame for Antonelli’s actions on himself and called for civility.
See, there’s that word. Civility. Some people will never be civil enough for their (our) voices to count. Gerrold does not get to decree how we discuss or don’t discuss this incident.
In between Hines’s post, the ensuing discussion, and Antonelli’s apology to Gerrold, another thing happened. Carrie Cuinn, editor of Lakeside Circus, decided to kill a piece she’d accepted from Antonelli. She even offered to pay a kill fee.
Antonelli decided to post this to his Facebook as a cautionary tale (linked instead of embedded because it’s a large image, right click and open in new tab to defeat the pop-up thingy). Note the complete lack of moderation in the thread. Note the editing of Cuinn’s letter. Note the further information in Cuinn’s post linked above–she received rape and death threats as a result of Antonelli’s action.
His initial response–made yesterday before Cuinn posted in more detail today–was a mealy-mouthed plea to his followers and friends to knock it off:
It wasn’t until after it became clear that Antonelli’s actions were unacceptable to the larger community, that he actually apologized to Carrie Cuinn. It’s still unconvincing at best and is mostly self-serving.
Have you noticed the common thread in these retractions and apologies? They’re all about Lou Antonelli and they’ve all been made after he’s gotten a fair bit of heat for his behavior. Lou Antonelli is an adult human being who has, thus far, made it to his fifties successfully: has he not learned to think before he speaks?
If Hines hadn’t noticed the SWATting in the podcast and posted about it, would Antonelli have retracted and apologized? (I’d like to see evidence that he did retract his letter to Spokane PD.) Or would he still be pleased with the approval of his fellow Sad Puppies? You’ll note that the main thing that Antonelli seems to be sorry about is that people found out what he’d done (nevermind that he boasted about it on a public podcast). If it hasn’t been, I bet you anything he’d still be proud of himself.
I think it bears emphasizing that by making a false report to police about David Gerrold, Lou Antonelli placed every single attending member of Worldcon in danger. This is reprehensible. The fact that David Gerrold forgave Antonelli for this is between the two of them; Gerrold does not get to accept Antonelli’s apology on behalf of the rest of the convention membership and to its staff and volunteers.
Making a knowingly false report to police is a crime in many jurisdictions.
The “knock it off” post is more of the same–after selectively editing Cuinn’s email before posting it and after allowing his friends and followers to impugn Cuinn’s business acumen and editorial integrity, he starts with more weasel words: “If anyone I know out there is contacting Carrie Cuinn…” That’s not an acknowledgement that he’s behaved poorly. This is distancing himself from the actions of the people he has chosen to associate himself with as well as implying that he’ll be unable to publish anything in the future, either. He’s the victim here–except this is all his doing.
Finally, let’s look at Antonelli’s actual apology. Again, he didn’t know what he was doing–he thought people would applaud Cuinn’s actions, not go after her. He’s innocent in all of this, he doesn’t know people, he doesn’t have the connections that other people do–except he’s managed to get himself nominated for a Hugo, so maybe he does know some people?
This is a pattern of behavior for him. He behaved abominably when questioned during his run for SFWA office in 2012–and after behaving abominably, apologized and had the apology accepted (at least for a while). After losing the election, he went on to form an alternative speculative writer’s group, SASS, which is a non-profit and accepts money for memberships but seems to be little more than a vanity project for Antonelli.
His modus operandi seems to be to incite an incident or seek one out, become abusive in some manner, and then only apologize if the target is high profile enough or if enough high profile people notice that he’s being abusive. His apology will contain a lot of language that deflects responsibility for his actions off him and onto other people or communities. Lather, rinse, repeat. If he goes after you and you don’t make noise about it or if someone doesn’t make noise on your behalf, or if you’re not particularly high profile, you’re not going to get even an attempt at an apology.
I observe that Antonelli isn’t the only Sad Puppy who plays at this game. Bryan Thomas Schmidt and Brad Torgersen do, too. They argue in bad faith and cast themselves as the victims when called out on their terrible behavior. And in this most recent incident, Antonelli has escalated and upped the ante.
Honestly, I don’t know where to go from here. You’re supposed to end these sorts of essays with a call for action. I think I’ll end this with an email I received from someone who spent some time in a couple of rooms adjacent to Antonelli at Armadillocon recently.
A man I’d never seen before walks up to Antonelli and congratulates him on his nomination. This guy wasn’t very tall, maybe 5’9″ tops, but he had one of those big booming Texas male voices that fills a room. It was impossible not to hear him, and honestly, he didn’t care who in the room did hear. He wasn’t hiding anything.
And he starts talking to Antonelli about how well this year’s puppy campaign turned out, and how plans were well underway for next year. Strange puppy did most of the talking, but Antonelli wasn’t arguing with him or trying to send him away. There was an obligatory slam against the SJW scum getting their comeuppance, and someone arrived to have Antonelli sign something. Strange puppy wandered away.
Fast forward to the Hugo panel on Saturday night and a packed room. Panelists were Antonelli, mod Michelle Munzler, editor Jacob Weisman, Justin Landon, and Marguerite Reed. The mod deserves a medal for keeping things as civil as they were.
So Antonelli is outnumbered and he knows it. He plays the humble card, the “I didn’t know what the puppies were up to” card, the yeah, maybe I got the nomination the wrong way but I wasn’t going to turn it down card. Because of the conversation I’d heard–steam was coming out of my ears. I knew he was lying through his teeth.
Marguerite Reed doesn’t pull any punches. She let him do the humble bit for a few minutes and asked him flat out, if he’d said the following: “In a time when typical literary s-f is dystopian slipstream pornography, it’s nice to be reminded that there is still core s-f out there.”
And Antonelli’s face…changed. The kindly, slightly embarrassed grandfather vanished, replaced by this calculating, sly…evil looking man. He looked Marguerite Reed in the eye and said “A man’s entitled to his opinion.”
For me that was really chilling and an eye opener. In that split second it was very clear he hated her, hated me, you–all of us. He didn’t have to know us, or to have read a single thing any of us had written. To Lou Antonelli we are all part of some vast conspiracy that keeps men like him, men who write real SF, from getting the acclaim he feels they so justly deserve. He hated us solely because we existed, and we dare to think ourselves his equal.
If I had any doubts that what I’d felt then was a misinterpretation, this blog post he wrote three days ago put them to rest.
You can’t reason with that kind of unthinking, blind hatred. You can’t change their minds, or try to be friends with any of the puppies, because for them–not you, them–it’s an all or nothing proposition. It’s not a difference of opinion, or taste in choosing what to read or nominate for an award, it’s ideology. The only thing that would EVER be good enough for them would be for you become a true believer.
Then they’d find a way to beat you up over it, because […] was right. They are abusers and they glory in it.
That, I think, sums it up. The Sad Puppies–and their Rabid counterparts–are abusers. They don’t think anyone but themselves belongs in SFF and some of them are willing to go to absolute extremes to ensure this.
I think there’s only one way to counter this–and that’s by continuing to work to make SFF a larger and more inclusive community, a community where abuse is not tolerated either implicitly or explicitly, one where we work to raise everyone’s voice and call out problems as we see them. And, most importantly: one in which we read and write awesome stories that celebrate and explore all the weird and wonderful ways it is to be human.
Edited to add this screencap of Antonelli’s Facebook, where all sorts of people are enabling him and telling him he doesn’t need to apologize for anything (as before, right click and open in new window/tab to defeat the pop up thingy).
I need a small break from compiling links posts (I’ll be back next week), so let’s talk about the adorableness that is a-ha’s video for “Take On Me”.
We have a young woman–who is wearing sensible clothing!–reading a comic book and she literally gets pulled in and has an adventure! She’s a little bit passive, but it’s clear she knows what she wants and that would be Morten Harket. Can’t say that I blame her on that front. There’s some conflict with the pipe wrench fight, she escapes out of the comic book and then, when she gets home, she gets the guy!